Guided By Voices / I Am A Scientist
Panning shot, close-up of guitar:
Throwing Muses / Bright Yellow Gun
Panning, replay of shot:
The Cure / In Between Days
SnorriCam effect, camera moves with the guitarist but shot is displayed from the shoulders up:
Panning back and forth, camera follows close-up of guitar, as if it is attached to it:
Shaky camera, close-up:
Vocalist pushes camera away, it comes back and he grabs hold of it:
Showing posts with label camera movement. Show all posts
Showing posts with label camera movement. Show all posts
Monday, 16 September 2013
Shot Styles/Camera Movement
The Smashing Pumpkins / 1979
360 degree panning shot:
Evangelion shot (zoom out):
The Lemonheads / My Drug Buddy
I like the way these three shots fade into one another, and also the distinction between the black-and-white performance and the use of colour to separate the two.
Blind Melon / No Rain
Over saturated colours, quick edits:
Beck / E-pro
Shaky camera, panning shots:
Beck / Where It's At
Mise-en-scene, over saturated colours in the background:
The Cure / The Lovecats
Shaky camera, flashes of over saturated colours:
Tracking shot:
I like the setup of the band and the frame of this shot. The camera stays in place as the vocalist moves around, staying within the shot and keeping the band in focus.
360 degree panning shot:
Evangelion shot (zoom out):
The Lemonheads / My Drug Buddy
I like the way these three shots fade into one another, and also the distinction between the black-and-white performance and the use of colour to separate the two.
Blind Melon / No Rain
Over saturated colours, quick edits:
Beck / E-pro
Shaky camera, panning shots:
The Wedding Present / Brassneck
Panning shot, performance:
The Cure / The Lovecats
Shaky camera, flashes of over saturated colours:
Tracking shot:
I like the setup of the band and the frame of this shot. The camera stays in place as the vocalist moves around, staying within the shot and keeping the band in focus.
A Field In England (film)
Subscribe to:
Posts (Atom)


