Showing posts with label AS. Show all posts
Showing posts with label AS. Show all posts
Thursday, 3 October 2013
Monday, 16 September 2013
Camera Movement
Guided By Voices / I Am A Scientist
Panning shot, close-up of guitar:
Throwing Muses / Bright Yellow Gun
Panning, replay of shot:
The Cure / In Between Days
SnorriCam effect, camera moves with the guitarist but shot is displayed from the shoulders up:
Panning back and forth, camera follows close-up of guitar, as if it is attached to it:
Shaky camera, close-up:
Vocalist pushes camera away, it comes back and he grabs hold of it:
Panning shot, close-up of guitar:
Throwing Muses / Bright Yellow Gun
Panning, replay of shot:
The Cure / In Between Days
SnorriCam effect, camera moves with the guitarist but shot is displayed from the shoulders up:
Panning back and forth, camera follows close-up of guitar, as if it is attached to it:
Shaky camera, close-up:
Vocalist pushes camera away, it comes back and he grabs hold of it:
Location Ideas
(From a fan-made video of Talking Heads / Psycho Killer)
I like the idea of shooting in a garage and then moving out onto a country road, following the vocalist/guitarist.
Shot Styles/Camera Movement
The Smashing Pumpkins / 1979
360 degree panning shot:
Evangelion shot (zoom out):
The Lemonheads / My Drug Buddy
I like the way these three shots fade into one another, and also the distinction between the black-and-white performance and the use of colour to separate the two.
Blind Melon / No Rain
Over saturated colours, quick edits:
Beck / E-pro
Shaky camera, panning shots:
Beck / Where It's At
Mise-en-scene, over saturated colours in the background:
The Cure / The Lovecats
Shaky camera, flashes of over saturated colours:
Tracking shot:
I like the setup of the band and the frame of this shot. The camera stays in place as the vocalist moves around, staying within the shot and keeping the band in focus.
360 degree panning shot:
Evangelion shot (zoom out):
The Lemonheads / My Drug Buddy
I like the way these three shots fade into one another, and also the distinction between the black-and-white performance and the use of colour to separate the two.
Blind Melon / No Rain
Over saturated colours, quick edits:
Beck / E-pro
Shaky camera, panning shots:
The Wedding Present / Brassneck
Panning shot, performance:
The Cure / The Lovecats
Shaky camera, flashes of over saturated colours:
Tracking shot:
I like the setup of the band and the frame of this shot. The camera stays in place as the vocalist moves around, staying within the shot and keeping the band in focus.
A Field In England (film)
Sunday, 15 September 2013
Tuesday, 9 July 2013
will.i.am - Bang Bang
I love the 1920s feel of the video and the fact that it was shot in black and white; editing is slow to match the pace of the song and a crackling effect has been added to emphasise the concept of the video. The video feels like it should belong in the jazz era, but the song features elements of pop and hip-hop and still works, proving that this style can be brought up to date if done correctly and leaving room to experiment.
Pixies - Where Is My Mind
There is no official video for this song and so, combined with the concept of the song (that of essentially "losing your mind"), I think that this would open up several possibilities for shooting a video, and create many different angles to work with. The song was written by frontman Black Francis and was inspired by his experiences scuba diving in the Caribbean, in which a small fish was trying to "chase him" - whilst the Caribbean is off the cards, it may be possible to illustrate this aspect of the song in another way, whilst combining performance and elements of narrative.
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